The Development of American Literature via American Book

The Development of American Literature via American Book Publishing Several influential factors grow been important to the information of American authors and the literature produced in the 19th century. One of the more circumstantial factors was the on pile of Industrialized American book produce. Before 1 820, printed media was loosely manufactured and sold by way of printers, binders, and book dealers working respectively (Gabbler-Hover, Steelmaker).In the years that allowed, American businessmen merged the processes and created happy publishing houses which created a need for the development of American literature. In the early on sass, limited resources such as pecuniary stability and viable transportation made publishing In the united States a less than profitable venture. The mid sass, however, generated technology that helped to dramatically increase profitability in the trade.Progressive methods of transportation such as the opening of the Erie Canal (Gabbler-Hove r, Steelmaker), inventions such as stereotyping, the Ron press, the application of steam power, mechanistic typecasting/ typesetting, and new methods of producing illustrations created a revolution in book production that bred argument for Imported fiction (Encyclopedia Britannica). American publishers r discoverinely and Illegally reproduced copies of British and European text. Rifting from readers who were eager for access to foreign fiction. Copyright laws didnt regulate imported texts irresistible revenues inspired other companies to begin producing their own editions of popular imported literature. This enforce of high profit piracy among American publishers was frustrating to American writers who needed an opportunity to prove their viability (Gabbler-Hover, Steelmaker). British and European authors were established In the American market and (obviously) werent viewed as a financial risk.American authors were required to absorb the equal of printing and distri thoion. In novative authors such as Washington Irving and James Finnier barrel maker profited from this practice by arranging to keep a substantial plowshare of the revenues. Others such as Henry Headwords Longfellow and Henry Melville purchased their own stereotype plates and rented them to publishers for royalties from printed copies. Authors who were successful In periodical popularations now had an opportunity to publish books (Gabbler-Hover, Steelmaker).Changes to copyright laws pressure illegal printing to become legitimate in its association with the international publishing industry. As federal regulations were being enforced, American publishers started to seek out original American text appropriate for publication (Ecuadorian). A grocery store that had been somewhat unavailable was now open to domestic writers. The Philadelphia born publishing house of M. Carrey and Sons was one of the first to promote American literature. Their Impressive call Finnier Cooper (The Last of the M usicians).In Boston, Ticking and Fields listed major American authors that include Nathaniel Hawthorne and his novel, The Scarlet Letter which began as a short story. With encouragement from Fields, Hawthorne spread out his story into an instant best-seller. As a promoter for the companys writers, Fields set a new standard for marketing American literature to the public by offering colorful posters (to bookstores) that advertised Ticking and Fields publications and by cleverly planting favorable reviews of the companys latest releases (Gabbler-Hover, Steelmaker).Fields methods of promotions and marketing demonstrated continued growth and interest in American literature. The introduction of the literary agent revolutionized the financial climate for publishers and authors. Because an important element in the agents value to an author is his mental object to extract better terms than the author would for himself, it is not surprising that publishers have resented the intrusion int o personal, and often friendly relationships between themselves and their authors(Encyclopedia Britannica).Professional representation meant higher royalties and advances for the writer, but it also meant a decrease in profit for the publisher. Although the use of agents wasnt a welcome practice in the publishing industry, representatives pressing for higher aments to writers whitethorn have been indirectly responsible for aggressive marketing and promotions that emerged in the early part of the 20th century (Gabbler-Hover, Steelmaker).